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How do you write a character that travels a distance?

The title says it all. How do you write a character who travels from point a to point b in a part that isn’t very important to the main story? Whether it’s 10 miles or 100 miles. Did you just do a massive time jump? Or do you fill the short or long trip with important things that happened? The title says it all. How do you write a character who travels from point a to point b in a part that isn’t very important to the main story? Whether it’s 10 miles or 100 miles. Did you just do a massive time jump? Or do you fill the short or long trip with important things that happened? If you deprivation to revel the Nifty History: Making money in the ministration of your own place work online, then this is for YOU!: Click Here

Tell the story, don't document it

Hello friends, first post here! 🙂

I am struggling with something in my writing. I thought about posting it here in the hope that someone has some guidance. Or, if not, maybe we could sympathize.

When I think of my story, I think of it first * as a story *. I envision various character arcs, plot points, and events. I focus on the sources of conflict and tension that I hope will generate great emotional rewards.

Too often, when I sit down to write, I don’t tell that story, I documented it. I find myself following my characters with an imaginary camera, capturing the meaningless minutiae of their lives, waiting for them to do something interesting or relevant.

It is surprisingly difficult to avoid. I feel like it wastes precious time and effort. It is a distraction, and on the worst days it is demoralizing.

How many people come across this? What do you do about it Or is this kind of thing just a normal part of your discovery process?

Hello friends, first post here! 🙂

I am struggling with something in my writing. I thought about posting it here in the hope that someone has some guidance. Or, if not, maybe we could sympathize.

When I think of my story, I think of it first * as a story *. I envision various character arcs, plot points, and events. I focus on the sources of conflict and tension that I hope will generate great emotional rewards.

Too often, when I sit down to write, I don’t tell that story, I documented it. I find myself following my characters with an imaginary camera, capturing the meaningless minutiae of their lives, waiting for them to do something interesting or relevant.

It is surprisingly difficult to avoid. I feel like it wastes precious time and effort. It is a distraction, and on the worst days it is demoralizing.

How many people come across this? What do you do about it Or is this kind of thing just a normal part of your discovery process?

If you requisite to savor the Good Aliveness: Making money in the ministration of your own base authorship online, then this is for YOU!: Click Here

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