Something that has been puzzling me lately is when people or critics refer to a plot development as “won” or not. I understand the concept well enough; sometimes the sacrifice of a character, the development of the relationship or anything else does not really feel cathartic, but rather added. What confuses me is that these plot points may have appropriate settings for your payments. The character has been implying that they have fallen in love with xyz for a while, or realized that being a member of a community implies sacrifice for the greater good, etc. However, even with these configurations, these developments still lack the quality that makes them feel satisfactory. In that case, how does a writer go about making a “earned” profit, beyond simply adding a Chekov weapon setup?
Something that has been puzzling me lately is when people or critics refer to a plot development as “won” or not. I understand the concept well enough; sometimes the sacrifice of a character, the development of the relationship or anything else does not really feel cathartic, but rather added. What confuses me is that these plot points may have appropriate settings for your payments. The character has been implying that they have fallen in love with xyz for a while, or realized that being a member of a community implies sacrifice for the greater good, etc. However, even with these configurations, these developments still lack the quality that makes them feel satisfactory. In that case, how does a writer go about making a “earned” profit, beyond simply adding a Chekov weapon setup?
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