Before delving into the ‘rhythm’ device, allow us a moment to see the summary of your novel again. The plot scheme should not be confused with Synopsis. The plot of his plot is the model of his novel, scene by scene. Since the novel will have many chapters, each with several scenes, it goes without saying that its sketch will have several pages that contain (hopefully) dozens of scenes. He is not trying to tell the story in this scheme: it is simply a detailed guide, a road map through the novel’s construction journey. You will refer to this scheme every day before writing to remember what the next scene is about and what you want to achieve by revealing more of the plot, before you start writing, that is, putting the meat in the bones.
A synopsis, on the other hand, is best written when the novel is finally completed. It must be just one page, simple space. Again, you should not try to tell the story. Is an advance”. He mentions the key character by name, the character’s desperate struggle to reach his goal and the evil forces that are working against him. Ask surprising questions that can only be answered when the reader reads the book.
An editor in charge will have to see this synopsis, the first three chapters of his novel and a very short letter that summarizes his previous writings, some personal data, such as age and what he plans to write in the future. This synopsis and three chapters will tell an experienced editor everything they need to know about you and your talent as a writer. If you like what you see, ask to see more.
One of the things that will reveal the first three chapters of his novel is the rhythm of writing. Rhythm is one of the magical devices that keep the reader hooked. A sustained rhythm throughout the book will help avoid that dreaded pancake effect in the middle. But what is rhythm and how can the writer make it work for him?
Do you remember the initial hook to catch the reader? The rhythm helps keep that hook firmly in place. If the book is written at a good pace, you can create a roller coaster for the reader; You may want to get off but you can’t because you should know what happens next.
When we try to analyze the rhythm, we return to language and style again. A fast-paced reading is one in which language is simple and straightforward. No complicated syntax Short sentences, to the point, and most important of all, frequent paragraphs. There is nothing more unpleasant for the reader’s eye than a solid block of description or introspection that occupies half a page followed by a second block of words that occupies the second half. The eye of the reader takes a look at this and skips the page. Skip pages is a bad sign. It means that the reader is no longer enslaved; He is losing interest and is skipping pages to try to find ‘the good things’. It is the writer’s job to ensure that the reader engulfs with enthusiasm page after page, afraid that something important may be lost. The writer has captured the reader when he hangs on each written word.
The devices that also help maintain a good rhythm are dialogue, dramatic action, strong characterization and fluency of the plot.
The next article will continue analyzing the rhythm and will also delve into each of these devices to analyze how the writer can use them to obtain the best advantage.
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