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How do you write a character that travels a distance?

The title says it all. How do you write a character who travels from point a to point b in a part that isn’t very important to the main story? Whether it’s 10 miles or 100 miles. Did you just do a massive time jump? Or do you fill the short or long trip with important things that happened? The title says it all. How do you write a character who travels from point a to point b in a part that isn’t very important to the main story? Whether it’s 10 miles or 100 miles. Did you just do a massive time jump? Or do you fill the short or long trip with important things that happened? If you deprivation to revel the Nifty History: Making money in the ministration of your own place work online, then this is for YOU!: Click Here

I have a boring protagonist

TL; DR: My character is friendly and helpful, I’m worried that this can make her boring. She has many friends, is it Mary Sue?

Don’t get me wrong, I love her. It is nice and sociable and will help anyone who asks. These two are her main characteristics, she meets people everywhere and becomes an important part of keeping the other characters together even though she was the last to arrive.

As much as I like it, I’m afraid it could become a kind of Mary-Sue or it will be the kind of characters that make readers become “ugh” every time they have a POV. But what I like most about the character is that she is really a good person (and all the features I have mentioned so far also influence how she uses magic), and I would not like to make her vindictive or evil. energetic. I like that she prefers to reduce conflicts, talk and listen to people, but at the same time she is not afraid to speak.

Her character arc also revolves around this: she has to accept the fact that some people will not be like her. One of the plot points in the first novel is that one of the protagonists is allied with the villain and in the second novel he cannot decide whether to accept his apologies or not, empathize with the reasons why the villain has to pursue another character, etc. But still, this does not undermine the fact that after all this he still believes that most people are, in essence, good.

Is this also Mary Sue-ish? It is not that he has a great debilitating defect and that he has no enemies other than the villain, and he still thinks that the villain has a point (but he has to face it anyway). It is not that it is super popular, it helps people and when someone acts with the right, he tries to get the person out of his life.

What should I do with her? Should I give it more flaws? What could those be? I have not thought about any of my character’s flaws because they come naturally and are not * always * flaws (for example, a character who loves his family very much is sometimes overprotective). But saying “your defect is that it’s too nice” seems like a lazy excuse.

TL; DR: My character is friendly and helpful, I’m worried that this can make her boring. She has many friends, is it Mary Sue?

Don’t get me wrong, I love her. It is nice and sociable and will help anyone who asks. These two are her main characteristics, she meets people everywhere and becomes an important part of keeping the other characters together even though she was the last to arrive.

As much as I like it, I’m afraid it could become a kind of Mary-Sue or it will be the kind of characters that make readers become “ugh” every time they have a POV. But what I like most about the character is that she is really a good person (and all the features I have mentioned so far also influence how she uses magic), and I would not like to make her vindictive or evil. energetic. I like that she prefers to reduce conflicts, talk and listen to people, but at the same time she is not afraid to speak.

Her character arc also revolves around this: she has to accept the fact that some people will not be like her. One of the plot points in the first novel is that one of the protagonists is allied with the villain and in the second novel he cannot decide whether to accept his apologies or not, empathize with the reasons why the villain has to pursue another character, etc. But still, this does not undermine the fact that after all this he still believes that most people are, in essence, good.

Is this also Mary Sue-ish? It is not that he has a great debilitating defect and that he has no enemies other than the villain, and he still thinks that the villain has a point (but he has to face it anyway). It is not that it is super popular, it helps people and when someone acts with the right, he tries to get the person out of his life.

What should I do with her? Should I give it more flaws? What could those be? I have not thought about any of my character’s flaws because they come naturally and are not * always * flaws (for example, a character who loves his family very much is sometimes overprotective). But saying “your defect is that it’s too nice” seems like a lazy excuse.

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