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How do you write a character that travels a distance?

The title says it all. How do you write a character who travels from point a to point b in a part that isn’t very important to the main story? Whether it’s 10 miles or 100 miles. Did you just do a massive time jump? Or do you fill the short or long trip with important things that happened? The title says it all. How do you write a character who travels from point a to point b in a part that isn’t very important to the main story? Whether it’s 10 miles or 100 miles. Did you just do a massive time jump? Or do you fill the short or long trip with important things that happened? If you deprivation to revel the Nifty History: Making money in the ministration of your own place work online, then this is for YOU!: Click Here

Tone vs. Mood

For a few days I have been studying tone and mood and, although these concepts seem vague, I think I am getting closer to a better understanding of them. What helped me especially were the examples I read where there was text written in an objective or neutral tone, but evoking a specific mood in the readers.

This answers the question of * when is the mood DIFFERENT from the tone? * And it was the only example that occurred to me. It would seem that if the tone is subjective, then the mood will probably be similar or equal to the tone. If the narrative voice is cynical (I write hard), then the mood evoked by the text will be and must also be cynical. Perhaps this effect is more pronounced in POV in the first person.

Perhaps it would make sense to state that the mood is objective, while the tone is subjective (even when it is impartial). I could find an example of text that was written in an impartial tone but evoked a partial mood.

Still, I feel that these terms remain very vague. The “tone” and “mood” word lists seem to include adjectives that could be used in any way.

What I would like to know is when is the mood different from the tone. What are some examples of text that have a different mood tone? Is it possible to write text without encouragement but with a strong tone? Vice versa?

In the end, I feel that I might not even have made a dent in understanding the differences between the two. Perhaps an author can set an angry tone, but evoke a comprehensive mood. For example, a character with a problem with impulse control can make readers feel sorry for the person, even if the tone is anger.

For a few days I have been studying tone and mood and, although these concepts seem vague, I think I am getting closer to a better understanding of them. What helped me especially were the examples I read where there was text written in an objective or neutral tone, but evoking a specific mood in the readers.

This answers the question of * when is the mood DIFFERENT from the tone? * And it was the only example that occurred to me. It would seem that if the tone is subjective, then the mood will probably be similar or equal to the tone. If the narrative voice is cynical (I write hard), then the mood evoked by the text will be and must also be cynical. Perhaps this effect is more pronounced in POV in the first person.

Perhaps it would make sense to state that the mood is objective, while the tone is subjective (even when it is impartial). I could find an example of text that was written in an impartial tone but evoked a partial mood.

Still, I feel that these terms remain very vague. The “tone” and “mood” word lists seem to include adjectives that could be used in any way.

What I would like to know is when is the mood different from the tone. What are some examples of text that have a different mood tone? Is it possible to write text without encouragement but with a strong tone? Vice versa?

In the end, I feel that I might not even have made a dent in understanding the differences between the two. Perhaps an author can set an angry tone, but evoke a comprehensive mood. For example, a character with a problem with impulse control can make readers feel sorry for the person, even if the tone is anger.

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