Have you ever wondered what you are doing in this writing business? Would you like to have learned something easier, like climbing mountains or bungee jumping or studying Russian? I know what I do. Almost daily.
But, on the other hand, I wouldn’t change a minute of the years I’ve spent in this crazy writing life. Nor would I change any of the friends I’ve made who are as crazy as I am to keep him all this time.
We all do exactly what we want to do. We find a way if we really want to write.
Are you writing to earn a lot of money? Or to be famous and appear in Oprah? Or do you simply want to write the best books and stories you can for other people to enjoy reading your words?
Do the last one first, and maybe the first two will follow, but even if they don’t, you have done something that most people never do. He achieved self-satisfaction in a job well done.
Many talents are dedicated to creating a very good book. Some are easier to learn than others. One thing is for sure. We are creative or we are not. No one can teach us that. But we can learn to polish our trade. Probably one of the most difficult facets of writing is to recognize when we have found our voice.
Writers are like singers, they have different voices. The problem is finding and developing that voice. Like singers, we have to practice, study our trade, find our passion, before we can begin to develop that voice.
Do you know why poets are usually the best prose writers? Because they, like singers, have developed a voice. Learn to sing to your readers, capture them and amaze them and don’t let them go until you’re done with your “song.”
No one can teach you a written voice, but you can learn how to look for it and recognize when you have found it, and by finding it, you can strengthen it.
Your writer’s voice begins in your heart, your mind, your soul. It comes from your perceptions of the world around you, and those perceptions come from the lullabies your mother sang, the stories your father told, the way your family expressed love, joy, hate and anger. It comes from your own likes and dislikes, what you are passionate about. From all this you can develop a unique voice.
Let’s say you have created strong multidimensional and emotional characters, you have written the best book, story or article that you can possibly write. Everything is there: new configurations, clear dialogues, a sense of place, conflict, a thematic approach, good rhythm. The story is original and well drawn, with subplots and interesting twists and turns. Surprises and omens that go hand in hand.
You have developed a rhythm, set a tone. The scenes and sequels present the reader with enthusiasm and a moment to relax and reflect on what happened and what can happen. You have studied and practiced the point of view until you are cold.
Everyone has read the teacher, Dwight Swain’s selling writer techniques, of course, and then they know when and how to throw a corpse on the roof.
So why doesn’t someone buy your job? Why do you continue to receive rejections? Or, worse, you broke the barriers, found an editor and then your book languished on the shelf. So why don’t your creations sell as they should?
Most likely, you have not developed your own voice. A unique voice You still don’t speak with a fascinating language. You still haven’t learned what makes your story and the way you tell it absolutely stunning, exclusive only to you.
Maybe I can help you solve your dilemma. Before you start working in your own voice, read and try to recognize the voice in the works of other writers. Some are popular because they tell exciting stories. They are not even particularly good writers. But those with the best followers are those with a different voice that involves the reader in great stories. Read until you can recognize the voice of those writers that move you.
To start developing your own voice, first consider what you are writing. Is it really what you want to write, what you should write? When you sit down to write, do you experience unbridled passion?
If you can answer yes to those questions, then you are probably on your way to developing your voice.
If the answer is no to these questions, if you fear getting to the place where you write, you have to force yourself to do it, or if you are confused and not sure of your voice, here are some things you can do.
A. Rewrite passages from other books the way you would write them. Free yourself, don’t be afraid to be innovative, write things you could never write normally. As they say today, go to the edge. Be bold Write the things you always wanted to write, but never had the courage. Do this a lot to practice.
B. Read something you have written on a tape recorder, then go to a quiet place away from your workspace, sit in the dark and with your eyes closed and your mind open, listen only to the sound of your voice. Oh, I know, isn’t it terrible? But overcome your dislike and listen to the rhythm, the song that your words sing.
Pay attention to the inflections in your reading voice until you have an idea of the passage. Then listen again and try to think where you could change the rhythm, tone, rhythm, use a stronger verb or drop an adjective or adverb.
This is not to edit, but to adjust the song, if you wish. Exercise your writer’s diaphragm.
C. Now, instead of reading the passage, turn on your recorder again, and this time pretend that you are telling your story to an audience around a campfire. Let yourself go and be creative. Speak in your voice. Do not look at what you have written. Include a dialogue where you can help, right at the top of your head. Create verbally. Now, listen to the tape and write your story the way you told it, instead of the way you wrote it for the first time. Do this a lot and you will develop a unique voice just for you. Then you will write with a fascinating language.
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