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How do you write a character that travels a distance?

The title says it all. How do you write a character who travels from point a to point b in a part that isn’t very important to the main story? Whether it’s 10 miles or 100 miles. Did you just do a massive time jump? Or do you fill the short or long trip with important things that happened? The title says it all. How do you write a character who travels from point a to point b in a part that isn’t very important to the main story? Whether it’s 10 miles or 100 miles. Did you just do a massive time jump? Or do you fill the short or long trip with important things that happened? If you deprivation to revel the Nifty History: Making money in the ministration of your own place work online, then this is for YOU!: Click Here

Tips to avoid these difficulties NOW?

What I’m working on is a youth novel that focuses on an adolescent’s recovery from an eating disorder. Sometimes I will need other characters to guide her to a healthy recovery, and I think these messages will be important in helping a younger audience navigate the material.

My concern is about which characters give the advice. She has a therapist, of course, her closest confidante is a male character who later turns into a potential love interest.

I don’t want the * adult * therapist to give all the advice, because as a young reader I hated the stories in which the adult saved the day, and I am aware that this is a commonly known mistake.

I don’t want your closest friend to give all the advice because I don’t want to send a message about the need for a boyfriend to solve his DE * for * you.

None of the more obvious characters seems correct. I have toyed with adding an additional “friend” character (still in the planning stage) but it seems a bit artificial when I have toyed with the idea.

Any ideas, suggestions or nuggets or wisdom?

What I’m working on is a youth novel that focuses on an adolescent’s recovery from an eating disorder. Sometimes I will need other characters to guide her to a healthy recovery, and I think these messages will be important in helping a younger audience navigate the material.

My concern is about which characters give the advice. She has a therapist, of course, her closest confidante is a male character who later turns into a potential love interest.

I don’t want the * adult * therapist to give all the advice, because as a young reader I hated the stories in which the adult saved the day, and I am aware that this is a commonly known mistake.

I don’t want your closest friend to give all the advice because I don’t want to send a message about the need for a boyfriend to solve his DE * for * you.

None of the more obvious characters seems correct. I have toyed with adding an additional “friend” character (still in the planning stage) but it seems a bit artificial when I have toyed with the idea.

Any ideas, suggestions or nuggets or wisdom?

If you requirement to bask the Fortunate Vivification: Making money in the alleviate of your own residence composition online, then this is for YOU!: Click Here

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