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How do you write a character that travels a distance?

The title says it all. How do you write a character who travels from point a to point b in a part that isn’t very important to the main story? Whether it’s 10 miles or 100 miles. Did you just do a massive time jump? Or do you fill the short or long trip with important things that happened? The title says it all. How do you write a character who travels from point a to point b in a part that isn’t very important to the main story? Whether it’s 10 miles or 100 miles. Did you just do a massive time jump? Or do you fill the short or long trip with important things that happened? If you deprivation to revel the Nifty History: Making money in the ministration of your own place work online, then this is for YOU!: Click Here

Some observations of writing practice

I am a new writer. I have written stories and am in the process of writing my first full novel, and I have a few remarks. So what should you do every time you hear written advice: think critically, analyze, extract the valuable parts that apply to you. I would be interested to see if you disagree or think the advice could be better.

* ** Writing every day is not always the best (more or less) **

I have experienced two extremes when it comes to this. Before, I wrote a short story every two months, all at once. Later, I fastened my seat belt. I wrote over 500 words a day (it was a lot for me, okay?). Neither one really worked. Writing when inspiration came meant I never grew up. When I wrote every day, I spent a lot of miserable time hitting my head against the wall. The best thing I’ve found is writing, and I still can’t break through after a couple of hundred words, spending the time spent writing to actively think. Plan some ideas, draw the scene, work on the character, work on the construction of the world. Develop a desire to write, then write. Help me.

*** Tip: *** *** Let the ideas breathe in your head. *** *** Take time to actively think about them. *** *** Sometimes, wait until lust consumes you, and then write like a monster. ***

& # x200B;

* ** Reading a lot is not enough (for me) **

Reading voraciously is not enough. Read critically. Read each book twice. Take note. Cut it apart. Read once as a client and watch your emotions, then read the second time as a surgeon. Separate * how * the author got that answer. See * why * they used that technique. Read critically.

*** Tip: Read like a writer. ***

& # x200B;

* ** Front loading work (but not too much). **

I found out that ** FOR MYSELF ** I really shouldn’t load the construction world too much, I should load the character and the plot is somewhere in the middle. If I don’t, I have too much construction of the world, my characters are mediocre and the plot is pointless or fragile. Also, I discovered that I will simply have to rewrite a scene if I don’t pass the time beforehand. My instinct is to just jump, but that doesn’t work so well for me.

*** Tip: do a job beforehand (but not too much). ***

& # x200B;

* ** Do not write to have a first salable book. **

( * For Beginning Authors *) Looking at other authors, general writing tips, and my own work, I realized that I will most likely never sell the project I’m working on. Or the next one, probably. The reason I write them is to become the kind of person who can write good books, instead of selling this book.

** Tip: I am writing to be a writer. **

I am a new writer. I have written stories and am in the process of writing my first full novel, and I have a few remarks. So what should you do every time you hear written advice: think critically, analyze, extract the valuable parts that apply to you. I would be interested to see if you disagree or think the advice could be better.

* ** Writing every day is not always the best (more or less) **

I have experienced two extremes when it comes to this. Before, I wrote a short story every two months, all at once. Later, I fastened my seat belt. I wrote over 500 words a day (it was a lot for me, okay?). Neither one really worked. Writing when inspiration came meant I never grew up. When I wrote every day, I spent a lot of miserable time hitting my head against the wall. The best thing I’ve found is writing, and I still can’t break through after a couple of hundred words, spending the time spent writing to actively think. Plan some ideas, draw the scene, work on the character, work on the construction of the world. Develop a desire to write, then write. Help me.

*** Tip: *** *** Let the ideas breathe in your head. *** *** Take time to actively think about them. *** *** Sometimes, wait until lust consumes you, and then write like a monster. ***

& # x200B;

* ** Reading a lot is not enough (for me) **

Reading voraciously is not enough. Read critically. Read each book twice. Take note. Cut it apart. Read once as a client and watch your emotions, then read the second time as a surgeon. Separate * how * the author got that answer. See * why * they used that technique. Read critically.

*** Tip: Read like a writer. ***

& # x200B;

* ** Front loading work (but not too much). **

I found out that ** FOR MYSELF ** I really shouldn’t load the construction world too much, I should load the character and the plot is somewhere in the middle. If I don’t, I have too much construction of the world, my characters are mediocre and the plot is pointless or fragile. Also, I discovered that I will simply have to rewrite a scene if I don’t pass the time beforehand. My instinct is to just jump, but that doesn’t work so well for me.

*** Tip: do a job beforehand (but not too much). ***

& # x200B;

* ** Do not write to have a first salable book. **

( * For Beginning Authors *) Looking at other authors, general writing tips, and my own work, I realized that I will most likely never sell the project I’m working on. Or the next one, probably. The reason I write them is to become the kind of person who can write good books, instead of selling this book.

** Tip: I am writing to be a writer. **

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