I’ve always had a problem with the plot (the characters just come easily to me, and I tend to prefer character-based stories), but the one that came to mind is really promising. It’s a non-traditional mystery, and I feel like I’d be disappointing potential readers with how heavy dialogue and personal monologue are. Although there are multiple mysteries to behold, and characters who manipulate and try to blame others, I feel like there is no real suspense.
He is a limited third person and on alternate perspectives among suspects. The detective is largely ignored.
Each (very, very short) chapter is supposed to add a new layer and complication to each character’s personal goal, but there’s a lot of talk and a particular friendship built (especially as a setup for manipulation).
I know no one knows if it works or not without reading the text itself, but has anyone had similar problems, or perhaps an idea of whether this style would further immerse readers or half bore them?
I’ve always had a problem with the plot (the characters just come easily to me, and I tend to prefer character-based stories), but the one that came to mind is really promising. It’s a non-traditional mystery, and I feel like I’d be disappointing potential readers with how heavy dialogue and personal monologue are. Although there are multiple mysteries to behold, and characters who manipulate and try to blame others, I feel like there is no real suspense.
He is a limited third person and on alternate perspectives among suspects. The detective is largely ignored.
Each (very, very short) chapter is supposed to add a new layer and complication to each character’s personal goal, but there’s a lot of talk and a particular friendship built (especially as a setup for manipulation).
I know no one knows if it works or not without reading the text itself, but has anyone had similar problems, or perhaps an idea of whether this style would further immerse readers or half bore them?
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