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How do you write a character that travels a distance?

The title says it all. How do you write a character who travels from point a to point b in a part that isn’t very important to the main story? Whether it’s 10 miles or 100 miles. Did you just do a massive time jump? Or do you fill the short or long trip with important things that happened? The title says it all. How do you write a character who travels from point a to point b in a part that isn’t very important to the main story? Whether it’s 10 miles or 100 miles. Did you just do a massive time jump? Or do you fill the short or long trip with important things that happened? If you deprivation to revel the Nifty History: Making money in the ministration of your own place work online, then this is for YOU!: Click Here

Direct response writing tricks of the trade

Direct response editors won't always tell you what I'm going to tell you …

We know that direct response copywriters have more in common with sellers than with literature writers … since it is the job of direct response copywriters to sell products and services instead of entertaining or providing dramatic satisfaction to readers . They also differ greatly from agency editors, whose job is to sound smart.

Nevertheless , there it is a "creative" dimension for writing direct answers that is not frequently discussed.

Take a look at some of the best direct response editors like John Carlton and Dan Kennedy, for example. There is a strong literary component in his writing, with compelling characters … an exciting story … and style .

These editors, like novelists, create an entire world for their readers. And they immerse readers in that world, take them by the hand and take them wherever they want them to go.

Novelists lead their readers to dramatic tensions and satisfactions; the editors guide their readers to solutions to their problems … a new land where their lives are better and their future brighter, if only they Buy the product!

This immersive literary element in DR writing is crucial to "get" this type of writing. And just like almost any story is adorned by effect, so are DR ads.

Let's say I told you that I received these copywriting strategies from a secret "assistant" of DR drafting who hid to avoid public exposure. That would affect you much more than if I told you that I learned this from a retired DR copywriter, right?

You see the difference? Basically I am saying the same thing, except that I have transformed a boring fact into an extraordinary, almost mystical one.

So is he history behind what you're selling that really creates the impact and makes an epic copy.

Great copywriters do not have to lie, because they are creative enough to "disguise" the facts so that they look like another world and attractive.

Another thing to keep in mind is that great editors create great characters … with whom readers identify because they share the same problem or situation. These characters once experienced the same problem that readers are going through, but managed to escape or overcome that problem … usually because they used the product or service offered.

Here's the deal: the writing of advertising texts often has a strong literary and creative component. Many great DR editors have studied literature or even written it themselves.

Is it absolutely essential to write a good DR copy? No. But study literature and tell stories will be Take your DR copy to the next level, I promise.

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