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How do you write a character that travels a distance?

The title says it all. How do you write a character who travels from point a to point b in a part that isn’t very important to the main story? Whether it’s 10 miles or 100 miles. Did you just do a massive time jump? Or do you fill the short or long trip with important things that happened? The title says it all. How do you write a character who travels from point a to point b in a part that isn’t very important to the main story? Whether it’s 10 miles or 100 miles. Did you just do a massive time jump? Or do you fill the short or long trip with important things that happened? If you deprivation to revel the Nifty History: Making money in the ministration of your own place work online, then this is for YOU!: Click Here

What makes people buy into the random and chaotic in a story?

They say truth is stranger than fiction, and that ‘no one would buy’ certain real-world events if you put them in a work of fiction. I find really great writers, be it books or screenplays, are able to tell unconventional stories where wild events sometimes happen, and are able to keep the audience buying into it. For example: The Coen brothers, in their movies, might have a character randomly hit by a car, or drop dead of a heart attack out of nowhere, and you never not believe that it did indeed happen.

Why? What is it that makes the reader, or viewer, accept crazy circumstances? Why do we go “OMG, I can’t believe that happened, that’s so crazy and exciting!” vs. “Ugh, really? C’mon, what are the odds of that? Not buying it.”

They say truth is stranger than fiction, and that ‘no one would buy’ certain real-world events if you put them in a work of fiction. I find really great writers, be it books or screenplays, are able to tell unconventional stories where wild events sometimes happen, and are able to keep the audience buying into it. For example: The Coen brothers, in their movies, might have a character randomly hit by a car, or drop dead of a heart attack out of nowhere, and you never not believe that it did indeed happen.

Why? What is it that makes the reader, or viewer, accept crazy circumstances? Why do we go “OMG, I can’t believe that happened, that’s so crazy and exciting!” vs. “Ugh, really? C’mon, what are the odds of that? Not buying it.”

If you poorness to like the Virtuous History: Making money in the ministration of your own institution writing online, then this is for YOU!: Click Here

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