Many people get confused by the term “producer”, and most people don’t really know what a producer is. does it. I learned that it is so complicated that it is not a good topic of conversation in a bar either. Now maybe if I was an actor … but I digress. Although the term producer is hazy, murky, and mostly considered all-inclusive, everyone seems to agree that there are different types producers, even if they do not agree on how they are divided.
TYPES OF PRODUCERS
The industry standard line is that producing is like herding cats. However, if it has ever produced, you will know that it is woefully inaccurate. Producing is like herding cracked, dizzy, suicidal cats on a ship in the middle of a hurricane while recovering from heavy anesthesia.
Normally a producer is responsible for things like; schedule cast, crew, and locations; find, pay and manage the crew; deal with budgets, copyrights and contracts; supervise or manage all creative decisions; find, raise or provide funds or investors for production; monitor distribution channels and marketing opportunities; and manage production as a whole. Basically, a producer has to make it happen, It does not matter that that it is. They literally do some form of everything. Within the world of production, however, there are subcategories of producers, each tending to focus on different aspects of the job. It is like being an athlete; sure, you’re an athlete, but what nice? Each producer mixes and matches their responsibilities based on the needs of the project. And sometimes they don’t. Hence the confusion of all. Here are some of the ways the term “producer” is interpreted:
FILM PRODUCER
The most common portrayal of a producer is the iconic Movie Producer. This person is responsible for all aspects of creating a movie, movie, or television show. The film producer supervises everything, and is primarily concerned with making sure all the pieces come together to finance, create, distribute, and make money off of a movie. In this sense, being a producer is pretty nebulous and non-descriptive, but incredibly important. These types of producers are not usually responsible for artistic decisions (they delegate it to directors, cinematographers, etc.), but they have the last word on what ends up in the film and serve as a tiebreaker. when there are creative differences.
CORPORATE / COMMERCIAL PRODUCER
Another prevalent form of the term “producer” can best be described as corporate or commercial producer. This is someone who will execute the creative and logistical actions of the production and make sure that the customer gets what they want. In this sense, a producer takes the production from the customer’s head and follows it through the final deliverables to the customer. This is typical for a production company doing corporate / industrial / client-based work, or for freelance producers creating local ads or videos for marketing campaigns. This type of producer often serves as a link between creative desires and customer needs. This position is a managerial rather than a creative position. However, this type of producer can sometimes also be directly involved in creativity. The most important thing is that this type of producer deal with the client. Your job is to turn chicken shit ideas into chicken salad.
PREDITOR
Someone who will basically do everything from directing to shooting to writing and editing is called a “preditor”, derived from “producer / director / editor.” This is typical of people in the news world or the news world, videographers and production companies that have smaller production teams. You also find this a lot when a customer is looking for someone to “produce” a video for them: they are thinking of a preditor. It has also become much more prevalent on reality television, because there is not enough script or budget to pay an entire team to do things that one person can do. A producer is expected to film everything he can get and then edit the pieces into an understandable story. Sometimes this is a one-man type of producer. You know the guy you see at a local event who has a camera with a mic and he’s running, and you to knowyou alone to know, who will edit his own footage later? That is typically a predictor. However, in today’s economy, sites like YouTube and the prevalence and affordability of video equipment have created the expectation that almost anyone can be a predictor. Avoid this presumption and remember that the music is not on the violin. It is in the hands of the artist.
ONLINE PRODUCER
Someone who creates and manages the budget, as well as the team, scheduling, etc. one movie at a time, is considered a line producer. Typically less creative, this type of producer is more concerned with getting money where it needs to go and making sure everything runs as smoothly and economically as possible. Usually a quote is divided based on “line items”, hence the name. A line producer manages the day-to-day aspects of a production. In non-Hollywood productions, this terminology is mixed with the responsibilities of a regular producer and a pioneer. For example, I did a lot of this kind of work in New York. Another producer / client / whoever gave me a set amount of money and told me to “produce” something. Then you would create the budget for the line item and locate, schedule and hire staff / resources / locations / permits / vendors based on this budget.
EXECUTIVE PRODUCER
Another version of a producer that many people imagine is someone who goes out and finds investors or other sources of funding, or who is wealthy and finances the project themselves. This is typical for movies and documentaries, and that person receives producer or executive producer credit. Most of the time, when you find a freelance creative “looking for a producer to help me with my film,” this is what they’re talking about. This is usually the job of an executive producer because the person who provides the money is the person who has the final say on how things are done. They are the boss. They oversee everything, although their main focus is usually related to financing or managing the film’s accounting. It’s easy to forget that the point of making a movie is to sell it. These people are there to remind you.
INDEPENDENT PRODUCER
There is also the independent producer. He is someone who is in charge of the whole project, whether he has money or not. This is typical of short films and indie movies, usually no / low budget stuff. The producer, in this sense, does everything that the creative / team / editors do not. This includes paying (or not paying) everyone else. Sometimes from your own pocket, sometimes from an investor. Chances are, an independent producer is also the main creative force behind the project. It is not uncommon for the producer to have also written the script or is directing the film.
FIELD PRODUCER
There is also a type of producer who supervises production in the field. This is called, curiously, a field producer. This person goes out on the set and makes sure everything runs smoothly, including the allocation of money. But his responsibilities often include shooting, managing the crew and cast, interviewing talent, and even doing public address races if necessary. When it comes to growers, the field grower and the “predictor” are often much more practice-oriented. They are the people who buy beers for the crew after a hard day, if they have any money left.
There are no hard and fast rules about what type of producer does what (except of course when there are) and often a producer is a mix of some or all of these different types. And this is not an exhaustive list. There are also associate producers, assistant producers, production assistants, assistant directors who are on the producer track, secondary supporting directors, unit production managers, etc. There is really no way to explain what each type of producer does. The best explanation I’ve ever heard is that “no one really knows what a producer does. But any it happens without one. “
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