This is something I’ve often wondered about: many publishers and agents will ask for specific genres, maybe even playing with common tropes for what they hope to publish. At the same time, writers who don’t necessarily fall for the pub / agent layouts will be turned away even if it’s with a ‘this is good, but we’ll pass’ message. Obviously, the rise of desktop publishing has subverted this, but at the same time those self-published authors do not have access to all the materials that help shape and enhance a story, such as professional editors, artists, etc. A disclaimer, I’ve gotten some of those messages and wondered what else could be done to make it more “acceptable” by publisher standards, even if all the boxes (and more) are checked. Of course, it all comes down to taste. We’ve probably all heard about how the Bloomsbury publisher almost rejected Harry Potter if it weren’t for his daughter constantly pestering him to get the rest of the book; How many publishers would just ignore that?
This is something I’ve often wondered about: many publishers and agents will ask for specific genres, maybe even playing with common tropes for what they hope to publish. At the same time, writers who don’t necessarily fall for the pub / agent layouts will be turned away even if it’s with a ‘this is good, but we’ll pass’ message. Obviously, the rise of desktop publishing has subverted this, but at the same time those self-published authors do not have access to all the materials that help shape and enhance a story, such as professional editors, artists, etc. A disclaimer, I’ve gotten some of those messages and wondered what else could be done to make it more “acceptable” by publisher standards, even if all the boxes (and more) are checked. Of course, it all comes down to taste. We’ve probably all heard about how the Bloomsbury publisher almost rejected Harry Potter if it weren’t for his daughter constantly pestering him to get the rest of the book; How many publishers would just ignore that?
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